June 5th, 2010
April 27th, 2010
The owner of the gallery, Tom Christoffersen, has purchased 30 collages by the Danish artist Albert Mertz (1920-1990). In the hands of artist
Christian Vind this has led to RESEND WORKS, a group exhibition that puts Mertz into play with his past, present and future.
Between 1962 and 1972 Albert Mertz lives in Paris and writes for the art magazine Louisiana Revy. A few years earlier Louisiana – Museum of
Modern Art (Humlebaek) begins to show international exhibitions and in Mertz a protagonist for this new art is found. He brings news from
the art scene in Paris, discusses art theory and art historical subjects and as a travelling critic he brings on the spot reports from major European
exhibitions just as he introduces cutting edge art practices to Danish readers. All his writings are sent home accompanied by his own collages.
The group exhibition RESEND WORKS presents a major collection of these collages, which reflect Albert Mertz’ knowing, provocative, poetical
and humorous approach to art and art making. In the curatorial practice of Christian Vind trajectories emanates from the juxtaposition of the
collages with Vind’s careful and commenting selection of works by Jes Brinch, Jan S. Hansen, Arthur Köpcke, Storm P, Tal R, Stoffer and Christian Vind.
March 31st, 2010
A collaborative folded poster we did for the show in Amsterdam
One colour A2 120 grams. Edition of 50. €3,- each ex. shipping. Mail contact@kindregards.nl for order details
March 31st, 2010
A video from the show in Amsterdam with Arnar Asgeirsson, Styrmir Orn Gudmundsson and myself
March 3rd, 2010
Take a look at MOBA- Museum Of Bad Art
Funny captions and descriptions on some crackelackin art
27″ x 29″
Oil on canvas
Purchased at a yard sale in Brookline, MA by Mike Frank
The colorless cuffs and contrast between the subject’s eyeless blue head and the stark white background lead some to speculate that this painting is unfinished. Others note that more detail would be superfluous, for the artist has satisfyingly portrayed the essence of blue meanness.
Still others insist this painting is simple the depiction of the ancient parable in which a Blueish mother gave her son a green shirt and a yellow shirt for his birthday. When he next visited his mother, the nice Blueish boy wore the green shirt, only to hear his mother cry, “What’s the matter, you didn’t like the yellow one?”
Oil on cardboard
In Hollywood, even the palm trees have had work done.
Acrylic on canvas by Unknown
Donated by Elizabeth and Sorn Poeckle, Copenhagen, Denmark
A remarkable fusion of ski resort and wolf puppy — stoical in his yellow-eyed silence, frozen beneath the ice-capped peak, Dog eloquently challenges the viewer to re-examine old concepts of landscape.
March 2nd, 2010

























































